#Pitchperfect epsodes how to#
#Pitchperfect epsodes tv#

And yet this is the only way everyone else has ever heard you.This ‘new voice’ exposes a difference between your self-perception and reality and can be jarring because you suddenly realize other people have been hearing something else all along: you are not how you thought you were. To put it another way people generally think their voice is deeper and richer than it actually is to others.And that’s why you dislike your own voice the first time you hear it back – it’s not like you usually hear yourself or consider how you sound to others. If you cover your ears and talk, all you hear is this version.So, when you combine both of these sounds, it’s the voice you are used to hearing, what you consider to be how you sound.But when we play back a recording, we only hear yourselves one way, through our ears, the convective version of your voice, which sounds much more trebly and mid-range. And then practice!Why do we sound different when we listen to a recording of ourselves? It’s to do with the way we usually hear ourselves.When we speak, we hear our own voice two different ways at the same time, one slightly behind the other (out of phase).Convectively (through the air) – as the sound energy from your mouth, bounces around the room and then in to your ears where it vibrates the ear drum and small ear bones, which in turn transmit the sound vibrations to the cochlea, which stimulates nerve axons that send the auditory signal to the brain.AndConductively - through your bones and muscles of your head, neck and ear – which travels slower and is has much more bass. He has read several thousand news bulletins, and hosted nearly 2,000 podcast episodes, and is a vocal image consultant advising in all aspects of voice and speech training for presenters on radio and TV, podcasts and YouTube, voiceovers and videocalls.Ģ022.08.18– 0595 – Why We Sound Different In Our HeadphonesSelf-feedbackYour voice is very personal to you – get used to hearing it, learn to like it – but be aware of what you need to do to improve it. Peter has presented hundreds of radio shows (you may have heard him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional radio) with formats as diverse as music-presentation, interview shows, ‘special’ programmes for elections and budgets, live outside broadcasts and commentaries and even the occasional sports, gardening and dedication programmes. He has written a number of books on audio and video presentation and production (“Essential Radio Journalism”, “JournoLists”, two editions of “Essential Radio Skills” and three editions of “Broadcast Journalism”) and has written on voice and presentation skills in the BBC’s in-house newspaper “Ariel”. Other trainees have been music presenters, breakfast show hosts, travel news presenters and voice-over artists. He’s trained news presenters on regional TV, the BBC News Channel and on flagship programmes such as the BBC’s Panorama. Stations such as Capital FM and BBC Radio 1 to Heart FM, the classical music station BBC Radio 3 and regional BBC stations. Peter has been around voice and audio all his working life and has trained hundreds of broadcasters in all styles of radio from pop music Look out for more details of the book during 2021.

#Pitchperfect epsodes tv#

with exercises and anecdotes from a career spent in TV and radio studios.Īnd as themes develop over the weeks (that is, they are not random topics day-by-day), this is a free, course to help you GET A BETTER BROADCAST, PODCAST AND VIDEO VOICE. Through these under-5-minute episodes, you can build your confidence and competence with advice on breathing and reading, inflection and projection, the roles played by better scripting and better sitting, mic techniques and voice care tips.

#Pitchperfect epsodes how to#

To show you how to read out loud confidently, convincingly and conversationally.

To get you a better voice for audio and video channels.

It's the audio version of the book Peter's writing of the same name, both focusing exclusively on your vocal image on audio and video channels with two main aims: There are some tweaks to your various vocal controls that you can make to give your voice a tone you’d be proud to call your own.įrom BBC presentation trainer Peter Stewart GET A BETTER BROADCAST, PODCAST AND VIDEO VOICE is a short, daily guide to help you become a stronger voice communicator on radio and TV, podcasts, video, voiceovers and webinars. Nervousness contracts and tightens muscles throughout your body, including the throat, and that will cause the average pitch of the voice to rise, maybe leading to a strangled sound… As we keep seeing, everything is intertwined! This is affected mainly by the body you inhabit, mainly your vocal folds but also links with your frame and yes, your breathing and resonance cavities too. Your pitch, or register, is your ‘vocal frequency’, basically how high or low your voice is.